“Reykjavik ’74 looks at the predictability of society and humankind, the nature of abuse, and the repetition of social injustice. It presents a sober acceptance of reality and ourselves within it, highlighting our personal opportunity to break the vicious circle of hopeless life. The theatre form chosen by the director Yura Divakov is close to my identity as a feminine gender-non-binary person, and to my personal experience of experiencing and suppressing violence”
Makeout Magazine, 5 March 2020
“The astonishment of Burning Doors is its ability to translate political rage and impotence into an art of indirection that is often as complex as it is powerful”
The New York Times, 17 October 2017